Rather
than thinking of “handmade” as something that is outdated, I prefer to think of
it as existing in an evolved form, coherent with the technology that has become
a part of our every day lives. The role that human hands play in creation and
production now exists more deliberately. It has shed its ties to production
necessary to sustain a society, and exists now to oversee the work that
machines do for us. In that sense, design overshadows art function-wise.
Aesthetic
pleasure, however, is arguably a function. In a society where aesthetic
pleasure can be obtained from merely playing a game of one’s phone, galleries may
seem obsolete. Art is, however, incorporating itself into the technology that
now exists, and is adapting as such. People are intrigued by artists working in
technologically based mediums, while inadvertently supporting traditional art
as well. As we have so many times before, we are merely adapting (not
forgetting) traditional art to the way we presently exist. It is alive and
well, in the hearts of those raised in a technological explosion.
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